Unfortunately, I've never played "Alien Isolation", so I am not super-familiar with that story line, but I get the idea about the Alien being resilient being something that "Romulus" can take aim at. In doing so, that sort of direction would honestly give even more credence towards Ash's admission of having high regard of the Alien itself as the "perfect organism".
I have no idea how good "Romulus" will wind up being, but theoretically "Romulus" could provide something of a 'satisfying' Alien cinematic trilogy if it actually comes out good.
For simplification purposes.
Alien: Introduction to Ripley, the Nostromo crew, the 'planetoid' (LV-426) and the Big Chap Xenomorph.
Alien Romulus: Continues the story of the Big Chap Xenomorph as (it is found and awakened? Reverse engineered?) and attacks a young crew of space colonists.
Aliens: Returns to the story of Ripley as she is also found, brought back to LV-426, where she goes on to confront the Alien Queen (mother of Big Chap).
That's probably being too optimistic, but it's a thought that could work out given just how satisfying the new film will wind up being? Especially considering how you would be hard pressed to find fans of the franchise whom do not have misgivings about "Alien 3" and "Alien Resurrection". I do hope that Fede Alvarez, given the story's time frame between "Alien", and "Aliens", was at least cognizant of Ridley's Scott's directorial style and tried to follow suit to some extent (at least for the beginning and end sequences ... kinda like what was originally done for Batman Forever with filming Burtonesque opening and closing scenes) in order to make it blend in with "Alien".
This was something James Cameron noted on his commentary track for the "Aliens" DVD, as he says that he obviously wanted to put his own stamp into the franchise, but also was familiar with Ridley's style of directing, and shot the scene of Ripley and Jones the Cat being found in the escape shuttle using long lenses. As Cameron wanted "Aliens" to blend right from "Alien" if one wanted to do a double feature. Which makes all the sense in the world, cinematically.
Here is the quote:
"I went to school on Ridley [Scott]'s style of photography, which was actually quite a bit different from mine, because he used a lot of long lenses, much more so than I was used to working with." - James Cameron
I have no idea how good "Romulus" will wind up being, but theoretically "Romulus" could provide something of a 'satisfying' Alien cinematic trilogy if it actually comes out good.
For simplification purposes.
Alien: Introduction to Ripley, the Nostromo crew, the 'planetoid' (LV-426) and the Big Chap Xenomorph.
Alien Romulus: Continues the story of the Big Chap Xenomorph as (it is found and awakened? Reverse engineered?) and attacks a young crew of space colonists.
Aliens: Returns to the story of Ripley as she is also found, brought back to LV-426, where she goes on to confront the Alien Queen (mother of Big Chap).
That's probably being too optimistic, but it's a thought that could work out given just how satisfying the new film will wind up being? Especially considering how you would be hard pressed to find fans of the franchise whom do not have misgivings about "Alien 3" and "Alien Resurrection". I do hope that Fede Alvarez, given the story's time frame between "Alien", and "Aliens", was at least cognizant of Ridley's Scott's directorial style and tried to follow suit to some extent (at least for the beginning and end sequences ... kinda like what was originally done for Batman Forever with filming Burtonesque opening and closing scenes) in order to make it blend in with "Alien".
This was something James Cameron noted on his commentary track for the "Aliens" DVD, as he says that he obviously wanted to put his own stamp into the franchise, but also was familiar with Ridley's style of directing, and shot the scene of Ripley and Jones the Cat being found in the escape shuttle using long lenses. As Cameron wanted "Aliens" to blend right from "Alien" if one wanted to do a double feature. Which makes all the sense in the world, cinematically.
Here is the quote:
"I went to school on Ridley [Scott]'s style of photography, which was actually quite a bit different from mine, because he used a lot of long lenses, much more so than I was used to working with." - James Cameron