They're pretty similar, but I prefer BR score more.
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Show posts MenuQuote from: The Dark Knight on Sun, 16 Dec 2012, 05:11I know this doesn't pertain to the video you shared, but a lot of stuff that Bane did in the movie made absolutely no sense at all. The most obvious one is his plan in the prologue. What was the point of risking the lives of all of your men PLUS yourself, just to kidnap Pavel to make it look like he was dead, when you already have Pavel in the friggin car before you got on the plane? Here's an idea: transfer his blood over to someone in the car, and drive the car off the cliff. Easy way to do it, especially since they had him to begin with. It looked really cool in the movie, but made absolutely no sense whatsoever. And why do people need to think he was dead in order for the plan to work? He's missing, he's dead: what's the difference?
Hardy's Bane and his plan were just head scratchingly absurd:
Quote from: Silver Nemesis on Wed, 6 Mar 2013, 22:48
Am I the only one who thinks it might be kind of funny to have a JLA movie that did try to fit within the "realistic" boundaries of Nolan's Bat-trilogy? Just imagine how all the classic heroes could be Nolanised.
• Barry Allen/the Flash would be a track runner whose speed maxes out at 25 miles per hour. The lightning bolt emblem would be the corporate logo of his sponsor.
• The Green Lantern ring would actually be a web ring comprised of engineers in various fields. Whenever Hal Jordon imagines something, he uploads the designs to the Green Lantern website and members of the web ring construct the various components and send them to him.
• Aquaman would be a scuba diver. It doesn't need to get any more complicated than that.
• Captain Marvel would be a bodybuilder suffering from the delusion that he's actually a ten year old boy. "Shazam" is the trigger word his psychiatrist uses to bring him out of trances during hypnotherapy. He has no super powers beyond his steroid-induced physical strength.
• Robin is a cop whose name just happens to be Robin.
Etc, etc. It would be a lousy superhero movie, but it might make a decent comedy.
Quote from: thecolorsblend on Mon, 21 Jan 2013, 01:04I've made this argument so many times on SHH, and I would just get blasted for it every time.
I've seen quotations aplenty calling back to Batman #1 as the starting point for Nolan's Joker. Between his mob associations, the public announcements of his crimes, killing some people, getting caught and then escaping that same night, I feel like I can draw a much straighter line to Batman #1. Sure, aspects of his agenda tie in to TKJ (all it takes is one bad day/when the chips are down, these civilized people will eat each other) but I'd argue at least 90% of what he does in TDK comes from the Golden Age. Or, as was my original point, Burton gets crucified for adapting the Golden Age Batman while Nolan gets a free pass on adapting the Golden Age Joker.
Quote from: Paul (ral) on Wed, 13 Jun 2012, 22:03A few other bat-movies, or just regular movies in general?
I got a better idea of the plot and characters tonight through a certain channel. I think a few of you guys will find lots of comparisons between TDKR and a few other movies.
Quote from: McAllister on Tue, 16 Aug 2011, 14:56This is more or less what I was getting at. My point is, Batman fights at night, and like The Dark Knight said, Bruce can still work during the day like he did in TDK, but he does it as Bruce. He can still be a hero during the day as Bruce/Matches Malone, but coming out during the day as Batman is a bit out of place. "Bats are nocturnal".
DocLathropBrown, this is an instance when realism gets in the way of good storytelling. Does crime happen during the day? Of course. But in a movie, crime happens whenever the director wants. Daylight just doesn't suit the aesthetics of the Batman. It highlights the ridiculousness of the character (not to mention Nolan's Batsuit).